An Essay about Musician Sufjan Stevens by James Bonner

Sufjan Stevens: The Indie Folk Icon Inspiring Musical Storytelling

Some artists create beautiful music. Others inspire a sense of wonder, which transports us to mystical, visual realms beyond our own. The musicianship of Sufjan Stevens falls squarely into the latter. With his unique brand of indie folk and his eclectic style, Stevens has captured the hearts of music lovers. But beyond his remarkable talent, it’s his eccentricity—his quiet refusal to be ordinary—that makes him unforgettable.

Born in Detroit, Michigan, in 1975, Stevens’ musical journey has been anything but conventional. He began playing the banjo as a child, later adding oboe, piano, guitar, and trumpet to his repertoire. As a member of the band Marzuki, Stevens was once told he didn’t have the voice to sing. Fortunately for all of us, he didn’t listen. He went on to become one of the most visionary figures in contemporary indie music.

You can’t talk about Sufjan Stevens without mentioning his whimsical lyrics and melodies. His songs are filled with vivid imagery and introspective themes. Whether he’s singing about growing up in the Midwest or exploring deeply personal terrain, Stevens is unmistakably honest and vulnerable. The first song I heard by him was “John Wayne Gacy, Jr.”—a haunting, beautiful meditation on darkness and empathy. Stevens challenges us to recognize the uncomfortable similarities between ourselves and the infamous serial killer, ending the song with: “And in my best behavior, I am really just like him. Look beneath the floorboards, for the secrets I have hid.

My favorite Sufjan Stevens song is “The Dress Looks Nice on You,” from Seven Swans. I can’t explain why. Its simple melody and lyrics resonate with me in a way that feels elemental. Stevens’ versatility is part of what sets him apart; not only is he a gifted singer and songwriter, but he’s also a master of multiple instruments. His ability to layer banjo, piano, guitar, trumpet, and more creates a rich, dynamic sound that’s unmistakably his. This is especially evident in Come On Feel the Illinoise and its companion album The Avalanche.

Stevens is known for his ambitious conceptual albums. His most famous is Illinois, part of a tongue-in-cheek project to write an album for each of the 50 states. He completed Greetings from Michigan and Illinois before admitting the idea was “…such a joke.” Still, the albums stand as evidence of his grand vision and ability to capture the essence of place through music. Michigan is more personal, and an exploration of his youth in Detroit. Illinois is expansive, theatrical, and symphonic. Personally, I wish he’d attempt to finish his 50 states project.

While “indie folk” is the genre most often associated with Stevens, he refuses to be confined by labels. He’s constantly pushing boundaries, experimenting with electronica (The Age of Adz), orchestral arrangements (Planetarium), and avant-garde compositions (Convocations). His willingness to take risks is a testament to his artistic integrity and inventive spirit.

Attending a Sufjan Stevens concert is an experience like no other. His live performances are immersive, visually and theatrically stunning. I was in attendance when Stevens played the Paramount Theatre in Austin, Texas, with my sister in 2006. The Majestic Snowbird Tour was astounding. Stevens walked on stage wearing wings. It was one of the most memorable moments I’ve ever witnessed on stage. I’ll always remember My Brightest Diamond opening for him, and how bizarre my sister and I thought they were, especially during “Freak Out.”

Despite his popularity and critical acclaim, Stevens remains an enigma. He shies away from the spotlight, rarely gives interviews, and avoids traditional promotion. This mystique only adds to his allure. In recent years, Stevens was diagnosed with Guillain-Barré Syndrome, a rare autoimmune disorder that severely limited his ability to walk. It contributed to his even more reclusive behavior, making each new release feel like a precious gift.

His impact on the indie music scene cannot be overstated. Stevens’ unique sound and conceptual albums have inspired a generation of musicians to push boundaries and embrace their eccentricities. His influence can be heard in the works of Bon Iver, Fleet Foxes, Danielson Famile, Destroyer, Devendra Banhart, The Clientele, Animal Collective, and countless others. His music is everywhere, but I always think of “Chicago” in Little Miss Sunshine first. Come On Feel the Illinoise is one of the few albums I’ll listen to from beginning to end. And then start over.

Sufjan Stevens is unlike anything else I still listen to. His music once opened up avenues to new bands, but he’s the only one of the genre I continue to return to. He’s a musical genius—unquestionably. A masterful storyteller and visionary artist who’s left an indelible mark on indie music history. Through his eclectic blend of folk, rock, and electronic elements, Stevens has created a sound that’s both personal and universal.

His music has been a constant source of comfort, inspiration, and wonder. And as a listener, I can say with certainty: Sufjan Stevens is a true original. His music will continue to enchant and captivate audiences for years.

His latest studio album, Javelin, was released on October 6, 2023.

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